This case study describes a project undertaken at the University of Minnesota Libraries to digitize materials related to African American materials across the Universities holdings, and to highlight materials that are otherwise undiscoverable in existing archival collections.
This case study will analyze the status of marked and unmarked binaries related to social identities in LCSH.
This case study discusses the development of a metadata schema to support the description of 65 educational videos to help teach sign language for interpreting.
Mukurtu (MOOK-oo-too) is an open source platform and content management system for digital community archives. The name is a Warumungu word meaning ‘dilly bag’ or a safe keeping place for sacred materials. This grassroots project seeks to empower communities to manage, share, narrate, and exchange their digital heritage in culturally relevant and ethically-minded ways.
The Plateau Peoples’ Web Portal is a collaboratively curated and reciprocally managed archive of Plateau cultural materials. The materials in the Portal have been chosen and curated by tribal representatives. Each item has one or more records associated with it as well as added traditional knowledge and cultural narratives to enhance and enrich understanding to
In this introduction to Documenting the Now collaborative project, Summers provides background about the urgency and need for this type of open source application, especially for the Black community. He outlines two main goals of the DocNow project: 1) Create an open source app “that will allow researchers and archivists to easily collect, analyze, and
Nowviskie begins this talk by asking the question “where and when do Black lives matter?” in information sciences; she looks at Afropolitanism (space) and Afrofuturism (time), focusing on Afrofuturism; it is “self-possessed” and centers around the past, present, and future of blackness and locating/telling stories of the future while never forgetting the past. She advocates
McPherson reflects on two experiences that reflect the disconnect between digital humanities and other modes of inquiry around race, gender, class, etc; instead of focusing on how to rupture oppressive infrastructures, conversations around tool-building and coding focused on how to build infrastructure. The answer to why the digital humanities are so white lies in this
Bardzell uses examples from feminist theories and practices in disciplines that revolve around design and user experience (i.e., architecture, gaming, etc.) as catalysts to think further about how feminist theory can be implemented in and ultimately change human-computer interaction (HCI), especially in theory, methodology, user research, and evaluation. Bardzell comes up with a “constellation of