An in-depth look at the history and considerations behind the development of the Traditional Knowledge labels, which pairs well with an investigation in to the TK Labels themselves. “This article focuses on the creation of an innovate network of licenses and labels delivered through an accessible, educational, and informative digital platform aimed specifically at the
Providing a framework for sharing cultural materials that respects the wishes of the people to whom those materials belong, the TK Labels “are a tool for Indigenous communities to add existing local protocols for access and use to recorded cultural heritage that is digitally circulating outside community contexts.” They serve as framework for developing information
The Sustainable Heritage Network (SHN) “is an answer to the pressing need for comprehensive workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. The SHN is a collaborative project that complements the work of indigenous peoples globally to preserve, share, and manage cultural heritage and knowledge.” Managed by the Center for
Umbra Search African American History “makes African American history more broadly accessible through a freely available widget and search tool, umbrasearch.org; digitization of African American materials across University of Minnesota collections; and support of students, educators, artists, and the public through residencies, workshops, and events locally and around the country.” Umbra brings together metadata and items from across
“The purpose of the Digital Transgender Archive (DTA) is to increase the accessibility of transgender history by providing an online hub for digitized historical materials, born-digital materials, and information on archival holdings throughout the world.” The DTA was partially developed in response to the placement of transgender history within the archival record: it is often
The Archives, originally called the West Coast Lesbian Collections, was founded in Oakland California, in 1981. Six years later it was moved to Los Angeles by Connexxus Women’s Center/Centro de Mujeres. The Archives acquired its present name after the death of June Mazer, in honor of her work as a community activist and invaluable supporter
WITNESS identifies critical situations and teach those affected by them the basics of video production, safe and ethical filming techniques, and advocacy strategies, making it possible for anyone, anywhere to use video and technology to protect and defend human rights. Includes guides for activists to archive their work and training materials for activists working in
In November of 2015, the Museum of Contemporary Art Chicago (MCA) launched a website with a rare accessibility feature. The website team had committed to making all of the images on the site accessible to the widest possible audience—particularly visitors with vision impairment—through visual description. To do so, the MCA worked with Sina Bahram and
The Creative Reaction Lab is a community and equity focused project in St. Louis, Missouri, that develops training materials to work collaboratively with communiy members to design “healthy and racially equitable communities.” The Lab has created an Equity-Centered Community Design Field Guide as well as a Community Design Apprenticeship program, among other resources, to support this work.
The Digital Library Federation’s Organizer’s Toolkit is a wiki-site with general organizing strategies and procedures for establishing and promoting a working group, as well as information about how to start a new initiative or group within the DLF. The Organizer’s Toolkit builds upon the DLF’s commitment to building effective communities of practice.