This study path asks learners to investigate the design processes behind frequently-used technologies and analyze those processes for where a different approach can lead to better, less biased outcomes.
Recovering the U.S. Hispanic Literary Heritage: The Preservation of the Latina/o Legacy / Carolina Villarroel and Gabriela Baeza Ventura
This case study gives a brief overview of a long-standing archival and research project in Latina/o history, Recovering the U.S. Hispanic Literary Heritage, which was established in 1990 by a group of scholars, librarians, and archivists. It outlines the scope, effort, and community-building that it takes to create a long-running and successful project, and can
Design for Diversity: The Case of Ed / Alex Gil
In this case study, Gil gives a short description of the design philosophies behind Ed, a system for producing online digital editions. These design philosophies focus on the concept of minimal computing, which includes a holistic analysis of overall system costs in creating and, as importantly, maintaining online resources. The minimal computing approach analyzes these
Mapping Violence: A Case Study on Project Development, Iterative Approaches to Data Collection and Visualization, and Collaborative Work With Undergraduates / Jim McGrath
This case study looks at an important benchmark in the development of Mapping Violence, a digital project interested in histories and records of state-sanctioned racial violence on the Mexico/Texas border in the early twentieth century. Specifically, it focuses on work completed in the summer of 2016 with a team of undergraduates at Brown University, documenting
HBCU Library Alliance
The HBCU Library Alliance is “a consortium that supports the collaboration of information professionals dedicated to providing an array of resources designed to strengthen Historically Black Colleges and Universities and their constituents.” It serves as a rich resource for librarians and archivists at HBCUs and also coordinates programs with HBCU students, and would be an
African American History, Culture, and Digital Humanities (AADHum)
Based at the University of Maryland, AADHum brings African American Studies and Digital Humanities together, and serves as an example of both leadership and support, facilitating a community of scholars that center the Black experience. See in particular AADHum philosophical frameworks on Centralizing Blackness in Digital Work and their rich list of projects in progress.
Más Tecnologia, Más Cambio?: Investigating an Educational Technology Project in Rural Peru / Emeline Therias, Jon Bird, Paul Marshall
Excellent analysis of use of educational technology in rural Peru, questioning many basic assumptions of programs based on simple hardware distribution rather than addressing social settings and context. Useful for considering digital archival projects where community partners are in areas with little hardware and network service. Also provides analysis of factors leading to success, again
Organization for Transformative Works: What We Believe
The Organization for Transformative Works (OTW) is “a nonprofit organization established by fans to serve the interests of fans by providing access to and preserving the history of fanworks and fan culture in its myriad forms.” Here it provides a model values statement showing how one community, rooted in a primarily female culture, views the
artasiamerica
artasiamerica is a digital archive for Asian and Asian American contemporary art history. It is an excellent example of a long-term community archive (based at the Asian American Arts Center in New York City), beginning with deep physical collections of which a selection have been processed and digitized. The digital collections are notable for their
Diversifying the Digital Historical Record
The Diversifying the Digital Historical Record website has essential coverage of a series of national forums, led by co-PIs Michelle Caswell and Bergis Jules, “focusing on community archives integration in a national digital platform and the potential impact for representation of diverse communities in our digital cultural heritage.” See also the publications and final report
