digitization: just because you can, doesn’t mean you should / Tara Robertson

In this blog post, Robertson takes a critical look at Reveal Digital’s work to digitize On Our Backs (OOB), a lesbian feminist porn magazine that ran from 1984-2004. She points out that there are ethical issues with digitizing and making print collections like OOB available online and that Reveal Digital needs more robust ethical guidelines

From Archives to Action: Zines, Participatory Culture, and Community Engagement in Asian America

Honma describes the use of zines in an undergraduate classroom to promote alternative pedagogies and incorporate critical inquiry and research skills. By bringing zines into his classroom as research materials, Honma provides an example of how to use archival materials and research to make connections between community archives and community action, and help students view

Does Information Really Want to be Free? Indigenous Knowledge Systems and the Question of Openness

The “information wants to be free” meme was born some 20 years ago from the free and open source software development community. In the ensuing decades, information freedom has merged with debates over open access, digital rights management, and intellectual property rights. More recently, as digital heritage has become a common resource, scholars, activists, technologists,

Murkurtu

Mukurtu (MOOK-oo-too) is an open source platform and content management system for digital community archives. The name is a Warumungu word meaning ‘dilly bag’ or a safe keeping place for sacred materials. This grassroots project seeks to empower communities to manage, share, narrate, and exchange their digital heritage in culturally relevant and ethically-minded ways.

Opening Archives: Respectful Repatriation / Kimberly Christen

This article highlights the importance of partnerships in digitization projects in relation to indigenous communities. While digitization and the advent of technologies that make information and items widely available, the groups, in this case indigenous communities, should always be consulted before items are made widely available in an effort to ensure that the item should

National Museum of the American Indian Repatriation Policy

“Repatriation is the process whereby specific kinds of American Indian cultural items in a museum collection are returned to lineal descendants and culturally affiliated Indian tribes, Alaska Native clans or villages, and/or Native Hawaiian organizations.” This policy details who can be part of the repatriation process and what this process looks like. Provides an example