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  • Affective Presence: The Metonymical Catalogue / Cara Krmpotich and Alexander Somerville
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Affective Presence: The Metonymical Catalogue / Cara Krmpotich and Alexander Somerville

Curation and Remix Metadata and Nomenclature
 
Published  May 18, 2018  

Drawing on exploratory research of online ethnographic records for particular types of Aboriginal bags in North America, we confront the absence of affective knowledge in museum catalogues and documentation. Although curatorial, ethnographic, and Aboriginal understandings of these items teem with affect, we find affect to be almost wholly lacking from available online records. We ask what the effects of this absence are for descendent Aboriginal communities, for museum publics, and for affect theory. We also look at an example where affect has a presence in online records, the Glenbow Museum, and consider the ways this creates opportunities for comparative and historic affective study.

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Krmpotich, Cara, and Alexander Somerville. 2016. “Affective Presence: The Metonymical Catalogue.” Museum Anthropology 39 (2): 178–91. https://doi.org/10.1111/muan.12123.
Published  May 18, 2018  

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Unless otherwise indicated, content on Design for Diversity (2016-2019) is licensed under a Creative Commons Attribution 4.0 International License.
 
  This project is made possible in part by the Institute of Museum and Library Services [LG-73-16-0126-16]. The views, findings, conclusions or recommendations expressed here do not necessarily represent those of the Institute of Museum and Library Services.
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