“To Suddenly Discover Yourself Existing”: Uncovering the Impact of Community Archives

This article reports on interviews conducted with South Asian American educators regarding their responses to the South Asian American Digital Archive (SAADA), an independent, nonprofit, community-based organization that operates the websites www.saada.org and www.firstdaysproject.org. The article reports on several emergent themes: the absence of or difficulty in accessing historical materials related to South Asian Americans before the emergence of SAADA; the affective and ontological impacts of discovering SAADA for the first time; the affective impact of SAADA on respondents’ South Asian American students; and SAADA’s ability to promote feelings of inclusion both within the South Asian American ethnic community and in the larger society. Together, these responses suggest the ways in which one community archives counters the symbolic annihilation of the community it serves and instead produces feelings of what the authors term “representational belonging.” The article concludes by exploring the epistemological, ontological, and social levels of representational belonging.

Caswell, M., Cifor, M., & Ramirez, M. H. (2016). “To Suddenly Discover Yourself Existing”: Uncovering the Impact of Community Archives. The American Archivist, 79(1), 56–81. https://doi.org/10.17723/0360-9081.79.1.56

Using Static Sites Technology for Increased Access: The Case of the Shelley-Godwin Archive / Raffaele Viglianti

This case study discusses the key decisions in adopting standards and technologies for a digitization project, in dialogue with ongoing scholarship around minimal computing and minimal editions. It has a specific focus on choices that affect long-term preservation and access, including efforts to enable offline use of the archive in order to increase its availability to a larger number of communities with variable access to the Internet.
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From Archives to Action: Zines, Participatory Culture, and Community Engagement in Asian America

Honma describes the use of zines in an undergraduate classroom to promote alternative pedagogies and incorporate critical inquiry and research skills. By bringing zines into his classroom as research materials, Honma provides an example of how to use archival materials and research to make connections between community archives and community action, and help students view themselves as embedded in larger community histories. This article discusses the framework and assignments incorporated into the course, and the larger impacts of this framework for considering archives as dynamic and contested sites of meaning.

Honma, T. (2016).”From Archives to Action: Zines, Participatory Culture, and Community Engagement in Asian America.” Radical Teacher, 105, 33–43.

Wampum, Sequoyan, and Story: Decolonizing the Digital Archive

Archives have a long and troubled history as imperialist endeavors. Scholars of digital archives can begin to decolonize the archive by asking, how is knowledge imparted, in what media, by whom, and for what ends? Drawing on a six-year-long ethnohistorical study of Cherokee language and writing, I explore these questions and analyze the epistemological work of wampum, Sequoyan, and digital storytelling. I argue that decolonial digital archives have built into them the instrumental, historical, and cultural meanings of whatever media they include. To be understood in and on their terms, these media need to be contextualized within the notions of time, social practices, stories, and languages that lend them meaning.

Cushman, E. (2013). “Wampum, Sequoyan, and Story: Decolonizing the Digital Archive.” College English, 76(2), 115–135.

Does Information Really Want to be Free? Indigenous Knowledge Systems and the Question of Openness

The “information wants to be free” meme was born some 20 years ago from the free and open source software development community. In the ensuing decades, information freedom has merged with debates over open access, digital rights management, and intellectual property rights. More recently, as digital heritage has become a common resource, scholars, activists, technologists, and local source communities have generated critiques about the extent of information freedom. This article injects both the histories of collecting and the politics of information circulation in relation to indigenous knowledge into this debate by looking closely at the history of the meme and its cultural and legal underpinnings. This approach allows us to unpack the meme’s normalized assumptions and gauge whether it is applicable across a broad range of materials and cultural variances.

Christen, K. A. (2012). “Does Information Really Want to be Free? Indigenous Knowledge Systems and the Question of Openness.” International Journal of Communication, 6(0), 24.

The Sustainable Heritage Network

“The Sustainable Heritage Network (SHN) is an answer to the pressing need for comprehensive workshops, online tutorials, and web resources dedicated to the lifecycle of digital stewardship. The SHN is a collaborative project that complements the work of indigenous peoples globally to preserve, share, and manage cultural heritage and knowledge. The SHN, along with our Partners, organize and offer face-to-face workshops, produce educational resources, and link people and resources through our digital workbenches. The SHN is part of a network of individuals, communities, and institutions who work together to provide each other with digital tools and preservation assistance. We call this: Collaborative Stewardship.”

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“The Sustainable Heritage Network.” n.d. Accessed October 8, 2018. https://sustainableheritagenetwork.org/.

Murkurtu

Mukurtu (MOOK-oo-too) is an open source platform and content management system for digital community archives. The name is a Warumungu word meaning ‘dilly bag’ or a safe keeping place for sacred materials. This grassroots project seeks to empower communities to manage, share, narrate, and exchange their digital heritage in culturally relevant and ethically-minded ways.

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Murkurtu. n.d. “About Murkurtu.” http://mukurtu.org/about/.